CITIZEN 1997–2012
Portraits 1997-2012
These portraits have over time become deeply connected by process alone.
They work alongside the notion of uncertainty and the surrender-to-serendipity. It hooks each person to the next, allowing an examination of an accidental population, gathered across twenty 8 odd years and over sixty countries.
What is this thing that fuses two humans together. The photographer and the photographed. Why turn the camera to this particular shepherd, pornstar, diver, cleaner, tribal dancer or indeed my own family? A manual in my head that is impossible to ignore. The purpose is in the obsessive doing, in the making of the pictures, in the visual exploration of that moment, the act of recording humans in the particular place we both converge at.
Perhaps this documentation of encounters, once collected, illuminates the power of direct contact.
“Non-travelers often warn the traveler of dangers, and the traveler dismisses such
fears; but the presumption of hospitality is just as odd as the presumption of danger.
You have to find out for yourself. Take the leap - go as far as you can. Try staying out of touch. Become a stranger in a strange land. Acquire humility. Learn the language. Listen to what people are saying. Look at what they do.”
[Paul Theroux, from the foreword of my book Chasing Summer, 2004]
“When Kenne sets off in his further travels, he leaves behind smiling people, no one shakes fists at him, no one chases him to destroy his film or to take away the camera.
This collection is a story of a journey in which mood and aura of the players, are of importance, not adventures and incidents. It holds none of the sensational elements, but photographs and portraits of people who usually fill our private quarters. They remain close to our hearts, collections and volumes similar to those we would want to have in our library, on a shelf, close to us.
These portraits of the people met and this graphic score of the road make up for a unique whole – a picture of a world full of beauty, dignity and optimism, which we all create and in which we want to live.”
[Ryszard Kapuscinski, excerpt of writings about my work, 1999]
The taxonomy of this population was never the purpose, yet it is its inevitable outcome.
An attempt to minimise an acquired and inevitable awareness of self, instead you are now part of a collective. The sum now a democratic equalizer.
No borders, no sides, no issue.
So.
It could be this.
Of seeing eye to eye.
Of being a citizen in the world, awake and curious about the other, the stranger.
To me, ultimately, I have experienced love.
CITIZEN – the book and the show launched at the National Portrait Gallery in Canberra 2012. It later toured 5 capital cities around Australia.
CITIZEN -The Limited book – containing 4 Type C original prints and boxed in a linen clam shell, is still available to purchase.
The regular edition of CITIZEN is available.
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COPYRIGHT © ALL RIGHTS RESERVED
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